Tag: Jason Donovan

Jason Donovan to make producer debut with Priscilla, Queen of the Desert

PRISCILLATOUR18_Collected files_A3P_14-8-18_HR.JPGJason Donovan will make his debut as a producer  when he joins forces with Mark Groucher in a new production of the  much-loved glittering hit musical Priscilla, Queen of the Desert.

The show begins its tour in September next year (2019) and will be at Manchester’s Palace Theatre on November 25th.

The show makes a perfect vehicle for Donovan to begin his life as a producer, having performed in the cast of the original West End production and two subsequent UK tours.

Jason Donovan said: “Having spent years performing and always harbouring the desire to become more involved in the creative process, I am delighted to be joining Mark Goucher as producer on this wonderful show. Priscilla is perfect vehicle to venture into the world of producing and bringing all my experience on the show seems the logical next step. Priscilla is such a wonderful Australian story about diversity. It is a modern musical with a great heart.”

The iconic hit musical has more glitter than ever before, featuring a dazzling array of stunning costumes, fabulous feathers and a non-stop parade of dance-floor classics including It’s Raining MenI Will SurviveI Love The NightlifeFinally and many more.

Based on the Oscar-winning film, PRISCILLA is the hilarious adventure of three friends who hop aboard a battered old bus bound for Alice Springs to put on the show of a lifetime. Their epic journey is a heart-warming story of self-discovery, sassiness and acceptance.

This brand new production comes from the team behind the critically acclaimed UK tours of Hairspray; with direction by Paul Kerryson, choreography by Tom Jackson-Greaves with designs by Phil R Daniels and Charles Cusick Smith, lighting design by Ben Cracknell and sound design by Ben Harrison.


Monday 25 November – Saturday 30 November 2019
Tel: 0844 8713 019

Tickets on sale 14th September

REVIEW: The King’s Speech @ the Opera House, Manchester

Raymond Coulthard (King George VI) & Jason Donovan (Lionel Logue). Picture by Hugo Glendinning (1)With the memory of the film still fresh in most people’s minds it was always going to be a tough task bringing the hugely popular King’s Speech back to the stage.

But one thing some less than imaginative direction of this production did achieve was to expose what is in fact a fairly flaky script and it wasn’t helped by the fact that some of the lines were thrown away, losing their impact.

Surprisingly, for me, one of the show’s strengths was Jason Donovan, who did a competent job in the role of Lionel Logue, the Australian speech therapist tasked with giving the reluctant King (Raymond Coulthard) the voice needed to rally a nation.

But too many performances fell short of the mark in this production and often appeared tired. OK, we know Edward was the baddie and a Nazi sympathiser – but did his portrayal have to be so caricatured? And whilst the take on Churchill was often bordering on the caricature, that of the Arch Bishop aiming to expose the disconnect between a stuffy establishment and the will of the people, was not enough of one.

The use of the panelled wall with doors at various levels was a good staging device, but for me, frustratingly, the production did not make the most of it.

And at times there was a touch of the AmDram about it, especially the scene at the party where characters seemed to be thrown onto the stage aimlessly in what reminded me of a drama student exercise.

There were times when the production had its moments and  looked as though it could be great but fell short at a number of points. Dare I say it, it stuttered.